There’ve been a lot of pixels spilled lately about how the Internet and technology are shortening our attention spans. So shouldn’t this be good news for short story writers?
It seems you can’t throw a stone these days without hitting an article bemoaning the decreasing attention spans of the reading public. Due to the pernicious effects of the Internet, commentators say, young people today (and just about everyone else) can hardly focus on a page long enough to get through the inciting incident of a novel, and start yawning about 100 characters into a 140-character tweet.
Continue reading “Our attention spans aren’t getting shorter, and that’s bad news for the short story”
Want advice on how to write short stories? Here it is from the experts
At a recent Word Factory salon event in London, panellists including renowned short story writer Clive Sinclair and Times Literary Supplement editor Peter Stothard discussed how to write short stories, and also gave their key pieces of editing advice to a crowd of budding writers. The advice ranged from the practical to the thematic.
So what were our panellists’ key tips for editing short stories or novels? Continue reading “Short story writing tips from writers who know what they’re talking about”
Does the short story have roots in oral storytelling? Should literature be a communal event? And could your short stories benefit from losing their more “readerly” bits? These were the questions thrown around at a night of wine, laughter and short fiction.
I recently dropped into a session at the brilliant Word Factory salon in London, where every month leading short story writers come to read from their collections and engage in debate on the short story form.
Continue reading “Embedded in text: A night at The Word Factory”